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Anna Fox

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  • About
  • Photography
    • Cabinet
    • U.S. Route 1 (After Berenice Abbott)
    • Country Girls
    • BLINK
    • Spitting
    • A Moon and A Smile
    • PIctures Of Linda
    • Back to the Village
    • Cockroach Diary
    • Afterwards
    • Resort 1
    • Resort 2
  • Publications
    • Portraits from an Island
    • Resort 1 and Resort 2
    • Anna Fox Photographs 1983 – 2007
    • Work Stations
    • Notes From Home
    • My Mother’s Cupboards and My Father’s Words
    • Zwarte Piet
    • Made in Europe
  • Films
    • Notes From Home
    • How to make a Schilt Book
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  • About
  • Archive
  • Blog
    • U.S. ROUTE 1 (AFTER BERENICE ABBOTT)
    • On the road – US1 2024
    • Photo No-Nos – out now
    • In Sickness and in Health
    • Made in Sheffield
    • Seaside Photographed opens soon at John Hansard Gallery
    • Facing Britain – opens at Goch Museum in Germany
    • Fox in Lens Culture
    • My Mother’s Cupboards and My Father’s Words – 2nd edition – Here Press
    • Masculinities
    • Research in Photography
    • Loisirs – available now with essay by Val Williams
    • Close Up: women in photography event
    • Home and Away in the news
    • Home and Away Curator’s walkthrough by Sunil Gupta 24th September | 6 pm
  • Work Stations

Afterwards

A series of large-scale colour photographs, each one depicting a collapsed body, all taken at the end of private rave parties in rural Hampshire, photographed between 1983 and 1996 on a miniature auto-focus camera they were blown up to larger than life size for exhibition rendering the bodies fragile. In 1988 these were shown at The Shoreditch Biennale bonded in plastic and hanging on the playground walls of a closed down primary school – this installation proved to highlight the vulnerability of each body.